When I saw the architectural works designed by architect BIG in a magazine, the presentation seemed like a joke. I thought that he raised poor and sloppy architecture through presentation. My preconceived notion was overturned when I saw his actual works in Copenhagen.

See the courtyard of 8 tallet and the ramps and dwelling units surrounding it. The slope goes around in a figure 8 and continues to the top floor. Below the ramps are offices and shared facilities.

8 Tallet was a big housing complex with a large courtyard in the center of the figure-8 planning. A ramp around the courtyard connected all floors from the ground floor to the top floor. The dwelling units had windows on both the courtyard side and the outside. The window on the courtyard side conveyed the sense of interior to the courtyard, and the atmosphere of the courtyard came in the dwelling unit. By the effect of the front garden, which served as a buffer zone for privacy, and the window that opened to the other side, the dwelling unit looked comfortable. A tolerant community that accepted others and lived together without closing emerged.

The courtyard with its large cut end brought a lot of light and did not feel oppressive. Due to its irregular shape, the scenery changed one after another as they went up the ramp, in contrast to the monotony of the corridors in the rectangular housing complex.

It generated the most attractive community I've ever seen, and it was a housing complex that led me to want to live there.

Mountain Dwellings was the housing complex that vertically stacked simple weekend cottages built in the forests of Scandinavia. On a reclaimed land on the east side, low-density single-story houses were lined up beyond the canal, reminiscent of the suburbs where weekend cottages stood. It was splendid that the memory of the land became the starting point for this architecture.

On the other hand, a new district with railroad tracks and artificial architecture extended on the west side of the site. This side of Mountain Dwellings was a parking lot covered with laminated expanded metal. BIG reflected the condition of the boundary between two different landscapes novelly on the architecture.

In the immigrant district of Nørrebros, he created a multicultural-themed park in collaboration with the artist group Superflex. It was also fun. One of the concepts was to order street furniture from various countries, and the Japanese representative was an octopus slide made by "Maeda Environmental Art Company"

8 tallet
https://goo.gl/maps/L2R89EykpnavqcA28

See the exterior appearance of the 8 tallet on the canal side in the morning light. From the large cut end of the courtyard, light enters the courtyard.
When going up the ramp surrounding the courtyard of 8 tallet, they reach at the top floor. A part of the large cut end of the courtyard is seen.
Look down the ramp surrounding the courtyard of 8 tallet and the front garden facing a dwelling unit.
See a dwelling unit of 8 tallet from the courtyard side. The front garden is sandwiched between the ramp and the entrance, and the bright window on the other side shines at the back of the dark interior.

Mountain Dwellings
https://goo.gl/maps/QPKgmQfasn8xvrAf9

See Mountain Dwellings from the reclaimed land side. The exterior appearance of stacked simple weekend cottages is finished with planks.
See Mountain Dwellings from the subway tracks. The track side of the building is a parking lot covered with expanded metal.

Superkilen
https://goo.gl/maps/cPycvVuJxMP2cTAV7

Superkilen is lined with street furnitures brought from various countries.
Superkilen has hills and it is a running course with ups and downs. The ground is soft asphalt, so it's gentle on your feet.
The street furniture representing Japan installed in Superkilen was an octopus slide made by "Maeda Environmental Art"

Click here for your impressions

8 Tallet

Mountain Dwellings

Superkilen

reference
Wikipedia
"Yes Is More: An Archicomic on Architectural Evolution"(Bjarke Ingels, Taschen America, 2019)

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